• Country: United Kingdom
  • Initial release: March 27, 2020
  • Film Director: Matt Sears
  • Running Time: 11 Minutes
  • IMDB Grade: 6.1

Welcome to cMovie Asia’s review of “The Sky,” a cosmic horror short film directed by Matt Sears. In this gripping eleven-minute masterpiece, Sears takes us on a journey into the depths of impending doom and explores the complexities of trust and friendship in the face of an apocalyptic event. Join us as we delve into the mesmerizing cinematography, captivating storytelling, and thought-provoking themes of this unique and unsettling film.

Plot Synopsis

“The Sky” revolves around the experiences of two young friends, Ellie and Victoria, as they grapple with the imminent end of the world. Set against a backdrop of dark storm clouds and ominous skies, the film begins with a seemingly innocent game of “never have I ever” and the consumption of hallucinogenic mushrooms. As the storm intensifies and the sun is gradually obscured, tension rises, and the true nature of their friendship is put to the test. Will Ellie and Victoria make peace with their choices and find solace in each other’s company during their final moments?

A Visual Spectacle

One of the standout features of “The Sky” is its breathtaking cinematography. Sears masterfully captures the beauty and terror of the impending apocalypse through stunning wide shots and meticulous attention to detail. The contrast between the serene countryside setting and the encroaching darkness creates a palpable sense of unease that permeates the entire film. The visual effects employed to depict the storm and its aftermath are top-notch, adding to the overall immersive experience of the viewer.

The Power of Friendship

At its core, “The Sky” is a story about friendship and trust in the face of imminent destruction. Ellie and Victoria, portrayed with depth and nuance by the talented cast, navigate a complex web of emotions as they confront their fears and insecurities. The film explores themes of loyalty, betrayal, and the human need for connection in times of crisis. Despite the short runtime, the characters feel fully developed, and their interactions are both relatable and emotionally charged.

A Cosmic Horror Experience

As a cosmic horror short film, “The Sky” successfully taps into the deep-seated fear of the unknown and the insignificance of humanity in the face of cosmic forces. Sears expertly blends elements of suspense, existential dread, and psychological horror to create an unnerving atmosphere that lingers long after the credits roll. The narrative draws inspiration from the works of acclaimed horror authors like H.P. Lovecraft, evoking a sense of cosmic awe and terror.

Critical Reception

“The Sky” has garnered positive reviews for its innovative approach to the cosmic horror genre. Reviewers have praised the film’s cinematography, noting its ability to create a sense of impending doom and capture the audience’s imagination. While some critics have pointed out the lack of a traditional narrative structure, they acknowledge the film’s ability to convey emotion and provoke thought through its visual storytelling.


In “The Sky,” Matt Sears showcases his prowess as a director and storyteller in the realm of cosmic horror. The film’s stunning visuals, gripping narrative, and exploration of friendship and trust in the face of catastrophe make it a must-watch for fans of the genre. Whether you’re a seasoned horror aficionado or simply looking for an enthralling short film experience, “The Sky” is sure to leave you pondering the mysteries of the universe and the fragility of the human condition.

So grab your popcorn, dim the lights, and prepare to be captivated by the haunting beauty of “The Sky.”

1 Film Review

Your email address will not be published. Required fields are marked *

  • A film through a consuming focal point. This short movie is a blend of medication prompted repulsiveness trip, Lovecraftian loathsomeness, puzzling end times and Judgment day, in addition to a sprinkling of family show as a snare for the acting characters; and however so much has been packed into this movie, chief Matt Burns figures out how to create his brief tale, larding it with questions and embellishing it with strange problems smoothly. A work with strong acting, OK impacts and pleasant camerawork conveys a little thought here, getting a little buffet of so a few foundations of true to life narrating and overseeing not to appear to be overstuffed or overambitious. Not a magnum opus, but rather certainly in excess of a decent treat. These 11 minutes merit putting resources into.